This high powered zoom lens was introduced in 1985 for SLR film cameras like the Nikon F3, EM and FM2. It was a very expensive lens. It cost $1015 USD in 1994, $1290 USD in 1996, and was phased out by 1999. It was designed using a mainframe with the latest optics software of 1985 (optics software was in its earliest stages at this time). This design could have benefited greatly from aspherical elements but these were yet to be established. This lens is made in Japan.
It is hard to keep the EXIF data on Nikon DSLR cameras accurate thanks to it being a variable aperture all-manual zoom lens (no electronics).
The macro performance, while cumbersome to use, is quite good. The macro function is, counterintuitively, at the 35mm focal length. The 35-105mm Ai-S also performed well at macro distances.
Barrel distortion is present on the wide end (-6%) and pincushion distortion on the long end (+3%). Honestly, this is par-for-the-course for such high powered zoom lenses from this period.
This is an Ai-S lens meaning it will work in program and shutter priority mode on some older model film cameras. It takes 62mm filters, which is probably too small for a lens like this that reaches 200mm, and the front element turns as it is focused making use of a polarizer difficult. It has a macro function ring and when turned a reproduction ratio of 1:4 can be achieved. There is an infrared focus index for all focal lengths, a focus scale and a depth of field scale. The focus collar has a short throw like most Ai-S lenses. This is an all metal lens with rubber focus/zoom collar so as to prevent "brassing" as is typical on early Nikkor lenses.
Focal length: 35-200mm
Maximum aperture: f/3.5-4.5
Minimum aperture: f/22-32
ø62mm filter ring
Lens construction: 17 elements in 13 groups
Picture angle: 62° - 12°20'
Distance scale: 1.4m/4.6ft. to infinity with infrared focus index
Macro mode at f=35mm: 0.27m/0.86ft. - 1:4 (0.25×) reproduction ratio